Danny's new expression:
Actually, I think this post will be fun to refute, rather than just getting shocked. Few things shock me anymore anyway, and we established back in the "Top 50 Albums thread" that we don't agree on music that often anyway.
I'm just not as big a fan of older music (I can't fault them for not having as good production values back then, but I am a bit spoiled when it comes to actually listening to music with decent production values), so while I can obviously see the artistic merits and influence that artists like Miles Davis, the Beach Boys, and James Brown have had, I probably wouldn't personally feel as strongly about their watershed albums as your average music guru.
This seems fair enough...some of the sounds can be pretty dated. I mean, U2's "War" for example, sounds quite "old" today. I noticed you posted your review of that album under the "Gold disc" catagory - do you really have that remaster, and does it help with some of the dated feel?
The only problem with just being spoiled by modern production values is that it forgets why we have those modern production values. Current sounds are informed by earlier ones. I think any critic should try to get some idea of the "classics" at some point or another, if they want to remain credible in comparing new artists to older ones.
...which brings to my big point here. Some artists and albums are revered because the artists were using different methods of production and recording. Read up a bit on what Brian Wilson was doing in the Pet Sounds era, or on some of the stuff that Phil Spector used to do, and I think you might be surprised how "modern" some of the techniques sound. They generally don't sound as "old" as other music from that era, and those innovations in sound are part of
why those artists are considered great in the first place.
There's also something to be said for the Beatles and some of their odd recording techniques, but truth be told, that was less innovation than it was drug use.
Enjoyment is a highly subjective thing, which is why I generally won't rate anything lower than a 3 or 3.5 for an album that has a lot of critical acclaim but that I personally just can't get into (my personal favorite example being Wilco's Yankee Hotel Foxtrot). I can recognize good intentions and artistic milestones achieved, but individual results vary, and I need to be honest about that.
Fair enough. No one said you had to like every album that's widely respected. Similarly, not everyone has to respect anything that any one person likes (although, I bet everyone has some "it would have been a classic if more people had heard it!" albums to mention).
I probably wouldn't rate something lower just due to its age, but I would admit to enjoying it less, if that makes any sense.
I have to admit that that's quite fair. Again though, the modern techniques your used to
were invented by older musicians anyway, so there are some albums that should stand as exceptions here.
Anyway, Paul not even knowing what Pet Sounds was, and the influence that an album like that has likely had on a lot of modern pop music, is kind of similar to some of us not knowing how James Brown influenced a lot of modern music.
...which just goes to show that none of us really knows all that much about music.
At the same time, I now know and respect that about both James Brown and the Beach Boys, but it doesn't mean that I must suddenly dig into both artists' back catalogues and declare them my favorites. I'm just personally more interested in evaluating what's being produced nowadays, and finding new personal classics to tell people about.
Who said anything about digging into back catalogues? I love Pet Sounds, but to be honest, I don't feel a need to buy every surf-pop thing they ever put out. If it were all that good, there wouldn't such a clearly defined classic (although, this breaks down as soon as someone mentions The Beatles, since cases can be made for Rubber Soul, Revolver, Sgt Pepper, and The White Album...). Between the albums that are heralded as classics at least partially for innovation in recording/production techniques, and the albums that have been remastered well (bloop brought up Miles Davis here), I really don't see any reason to completely skip out on older music.
Although, I'm sure there were some terrible bands back then too. We just aren't still talking about them.